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Contours of Memory: El Anatsui | Oladélé Ajiboyé Bamgboyé | Merikokeb Berhanu | Victor Ekpuk | William Kentridge | Wole Lagunju | Tesfaye Urgessa | Beatrice Wanjiku

Past exhibition
1 February - 30 March 2024
  • Overview
  • Works
  • Installation Views
Open a larger version of the following image in a popup: Victor Ekpuk, Wind Songs, 1996
Open a larger version of the following image in a popup: Victor Ekpuk, Wind Songs, 1996

Victor Ekpuk Nigeria, b. 1964

Wind Songs, 1996
Signed and Dated
Acrylic, Canvas, and Sand on Board
48 x 30 in.
121.5 x 76.6 cm.

Further images

  • (View a larger image of thumbnail 1 ) Beatrice Wanjiku, AN UNSTRUCTURED MESS, 2016
  • (View a larger image of thumbnail 2 ) Beatrice Wanjiku, AN UNSTRUCTURED MESS, 2016
Victor Ekpuk's 'Windsongs,' painted in 1995, stands as a poignant testament to the artist's mastery in conveying deep emotional and societal narratives through minimalist expression. In this work, Ekpuk radically...
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Victor Ekpuk's "Windsongs," painted in 1995, stands as a poignant testament to the artist's mastery in conveying deep emotional and societal narratives through minimalist expression. In this work, Ekpuk radically reduced his use of color and form, distilling them to their essential elements. The piece was created during a period of personal loss and societal turmoil, as Ekpuk grappled with the passing of loved ones and witnessed the suppression of his fellow citizens through harsh decrees and violence. Yet, amidst this backdrop of grief and uncertainty, Ekpuk embeds a symbol of resilience and hope – the sun, represented as a spiral form, serves as a beacon, fueling the enduring will to survive and reminding us that even the most turbulent times are subject to change.

Renowned art historian Chika Okeke-Agulu described "Windsongs" below:

“A plain colourfield pulsates with a myriad of codes, symbols and forms, some of which are recognisable, even readable, while many tease the searching, insistent reader. The flat, monotonal surface takes on new meaning, and becomes a site for an encounter between ancient and new, collective and individual mythologies and subjectivities...'Windsongs', like many of Ekpuk's works elicits a profound contemplation that approximates a spiritual revelation.”

Victor Ekpuk is a Nigerian-born artist known for his paintings, drawings, and sculptures that incorporate Nsibidi, an ancient Nigerian script. He received his BFA from Obafemi Awolowo University, Nigeria, and has worked as an illustrator and political cartoonist.

Ekpuk's artworks are featured in various prestigious collections, including the Smithsonian National Museum of African Art, Boston MFA, and the Newark Museum. He has participated in significant exhibitions worldwide, including the Dakar Biennial, Museum of Arts and Design in New York, and the Havana Biennial. Ekpuk's notable projects include large-scale murals and public art installations, such as a mural for the North Carolina Museum of Art.

PUBLICATIONS

Adeyemi, Ester (ed.). "Contemporary Art In Nigeria & Ghana." Friedrich Reinhardt Verlag, 2006.
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Provenance

Victor Ekpuk's "Windsongs," painted in 1995, stands as a poignant testament to the artist's mastery in conveying deep emotional and societal narratives through minimalist expression. In this work, Ekpuk radically reduced his use of color and form, distilling them to their essential elements. The piece was created during a period of personal loss and societal turmoil, as Ekpuk grappled with the passing of loved ones and witnessed the suppression of his fellow citizens through harsh decrees and violence. Yet, amidst this backdrop of grief and uncertainty, Ekpuk embeds a symbol of resilience and hope – the sun, represented as a spiral form, serves as a beacon, fueling the enduring will to survive and reminding us that even the most turbulent times are subject to change.


Renowned art historian Chika Okeke-Agulu described "Windsongs" below:


“A plain colourfield pulsates with a myriad of codes, symbols and forms, some of which are recognisable, even readable, while many tease the searching, insistent reader. The flat, monotonal surface takes on new meaning, and becomes a site for an encounter between ancient and new, collective and individual mythologies and subjectivities...'Windsongs', like many of Ekpuk's works elicits a profound contemplation that approximates a spiritual revelation.”


Publications

Adeyemi, Ester (ed.). "Contemporary Art In Nigeria & Ghana." Friedrich Reinhardt Verlag, 2006.


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